Great Britain? It’s not bad…
Posted: April 21, 2012 Filed under: Events, Food & Drink, Holidays & Festivals, London, Music | Tags: celebration, event, festival, great britain, london, Music, music hall, postaday, postaweek2012, robbie boyd band, st george's day, trafalgar square, ze trio 2 CommentsBritain is very patriotic this year, what with the Olympics and the Diamond Jubilee. You can’t move for red white and blue right now, and everyone seems more proud than ever to be British.
It was with this in mind that I allowed myself to be persuaded to attend the Saint George’s Day celebrations in Trafalgar Square today.
I’ll admit that I wasn’t really expecting to enjoy myself. When I had gone down to Trafalgar Square for Chinese New Year it had been very crowded and uncomfortable, and I basically ran away (well, shuffled – it was impossible to run anywhere). However, what I found today was very different. The Saint George’s Day celebrations weren’t very well advertised, and so it wasn’t hugely crowded down at Trafalgar Square. The space did fill it, but it never became impossible to move, and I always felt like I had enough space.
My friend and I were met with a very quaint, English country garden atmosphere, complete with temporary flowers, fake grass, and plastic ducks and swans swimming in the fountains.
The event consisted of music…
Pearly Kings and Queens…
Living statues…
Flower arrangements…
And, of course, tea and scones…
I almost forgot I was in central London while I was in the tea tent, as it felt very Sussex-y, like I was in some country park somewhere.
I really enjoyed the music, especially ZeTrio:
And the Robbie Boyd Band:
The music hall performances from the Brick Lane Music Hall were fun, too.
The whole event got me thinking about how patriotic (or not) we Brit’s are. There was a smattering of red and white flag-clad, Stella-swilling football fans, and a few people dressed in red and white getting pretty into it, like these sweet ladies who let me take their picture:
But overall it wasn’t too nationalistic. However, whenever there’s a chance to be proud to be British, there is always this slight feeling that “British pride = not open to other cultures”, which simply shouldn’t be the case. As a Londoner, I feel privileged to be able to enjoy the St George’s Day celebrations just as much as the Chinese New Year, Japanese Matsuri, or any other festival.
I’m no royalist or nationalist, but I did really enjoy indulging in a little British culture today. It’s so easy to forget where you come from when you live in such a multicultural city. I spend so much of my time submerged in Japanese culture, even though I live in England, that I sometimes forget to enjoy my own country’s culture.
I think the Londoners and Brits at the event enjoyed it, and I do hope the tourists and people from other countries also enjoyed the taste of British culture displayed in London today. I’ve realised that British culture is perhaps not as sophisticated or mystical as some other cultures, but we certainly do know how to have a good knees up! đ
An interview with graffiti artist Paul “DON” Smith
Posted: April 16, 2012 Filed under: Art & Street Art, Interviews, London, Religion & Faith | Tags: art, DON, graffiti, interview, london, Paul DON Smith, postaday, postaweek2012, street art 10 CommentsDo you remember back in March when I had a chance encounter with one of my favourite graffiti artists Paul âDONâ Smith? Well, he kindly agreed to do a quick interview with me by email, and it gives me great pleasure to share it with you today. Naturally, I’ve included a lot of images of his work, too. Enjoy!
So, should I call you DON or Paul?
LOL. Don is great, but pauldonsmith.com could be better, so you know how to get hold of me.
How long have you been producing street art?
I have been an active graffiti artist for 25 years, but my recent street art, where I create images that I think an audience/people may like, has been a shorter time; say 5 years or so.
Have you always worked with stencils, or do you ever use different techniques?
I have mostly been a freehand spraycan artist, but I am now a mixed medium artist, I have starved myself long enough, I am free.
Why do you choose to make street art, rather than painting on canvases and exhibiting in galleries?
LOL. I do both, but mostly its on the streets, for now I paint originals and paint original limited editions, through selected galleries or my website.
Have you ever got in trouble for painting somewhere you shouldn’t have? If so, what happened?
I used to get into a bit of trouble, but that has long gone; my teenage years, many years back. The police know of all my illegal work, as they offered me a clean slate if I could tell them of other works. It saved time them knocking at the door again, me time and them time, it’s called âtaken into considerationâ (TIC).
Do you have a “day job”?
Yes I am a self-employed graphic designer.
Do you have any objections to your work being referred to as “graffiti”? Is there a difference between “graffiti” and “street art” as far as you’re concerned?
Not really, I am just more selective now on the locations. It’s all the same, it’s just if the audience can communicate with it or not, if it has a message or is it just ‘ME’ ‘ME’. The market has opened up with the wonderful success of Banksy and Blek.
You seem to paint a lot of portraits (which is why I love your work!). Is there a reason for this?
I think it’s a nice thing to see. One will identify with it quickly and may find it endearing. I tend to stick with portraits that influence myself and I am reaching out to see if others feel the same. Artists, musicians, actors, writers, thinkers, designers, distinguished characters, also portraits of individuals who the audience/people do not know and it’s interesting to place them on the world stage.
I’ve noticed a slight religious theme to your work recently. What’s that all about then?
Powerful images are amazing to paint. I do little twists too with this, like âQueen save the Godâ [below], I had not seen it reversed before and thought it was nice as the Queen/monarchy is head of the church. Keep the faith, it’s a great thing, like humans, we are powerful.
Which other artists do you admire?
Monet, Turner, Constable, Duster UA, Rodin, Hodgkin and many others.
Is there anything else you’d like to tell my readers about your work, or about street art in general?
More to come so watch this space!
A big thank you to DON for taking the time to talk with me! For more information about DON’s work, please visit his website:Â pauldonsmith.com.
I hope to do more interviews like this and in person in the future, so watch this space and do get in touch if you’re an artist who would like to have a chat.
OLEK and all that Malarky
Posted: April 8, 2012 Filed under: Art & Street Art, London | Tags: art, Damien Hirst, gallery, graffiti, london, Malarky, OLEK, postaday, postaweek2012, shoreditch, street art, Tony's Gallery, Tracey Emin 1 CommentIn March I went to an exhibition at Tony’s Gallery in Shoreditch and got two for the price of one. The artist I went to see was OLEK, but I didn’t realise the gallery also had an artist in residence: Malarky.
I’ll start with OLEK’s exhibition, âI do not expect to be a mother but I do expect to die aloneâ. This was the first UK solo exhibition by Polish-born, New York-based artist OLEK.
The exhibition or, rather, installation, was basically a knitted room. Everything as far as the eye could see was knitted, crocheted or wrapped in wool. Even the floor. It was unfortunate that it was raining heavily on the day I visited the gallery, but it was nice to take off my wet boots and walk about on the wooly carpet for a while.
I’m not art expert, but I enjoyed the exhibition. It was fun, playful, and certainly unique. I particularly liked the people.
If you’re after some arty blurb, here’s a quote about OLEK’s work from the Tony’s Gallery website:
Both playful and rich in metaphor, the brightly coloured work on display features multiple designs including Olekâs trademark camouflage motif. The omnipresence of explicit messages crocheted into the objects, are statements revealing her position as a female artist in an art world that is inclined to have sexist opinions. These text-based pieces replicate actual missives sent to the artist by SMS text messaging, immortalising intimate details of her past relationships. The viewer thus becomes witness to Olekâs personal history as she continues her exploration of modern day concerns, touching upon the themes of privacy, technology and communication.
The showâs title is a direct quote from “I do not expect”, an appliquĂ©d blanket produced by Tracey Emin in 2002.
I have to say, I prefer OLEK’s work to Emin’s, although I can see that they do both fall into the same camp of “I wouldn’t really want that on my wall”.
As I mentioned earlier, I was also able to see some of Malarky’s work at Tony’s Gallery. Actually, it’s never that hard to see Malarky’s work as he’s a street artist and his pieces are all over Shoreditch. What I liked at Tony’s was the way that his work became incorporated with OLEK’s.
Malarky’s work was also on display downstairs in the gallery:
It was weird to see Malary’s work so small, as it’s usually so big:
There’s been a lot of fuss in the press this week over the new Damien Hirst exhibition at the Tate Modern. The media have been labelling his work “con-art” and saying that it s a case of “the emperor’s new clothes”. Art is so subjective – one man’s art is another man’s rubbish – so who’s to say what belongs in galleries? Is Hirst’s work any better or worse than Emin’s, or indeed OLEK’s? Does the fact the Malarky usually paints on walls make his work any less valuable than Hirst’s? What do you think?
Related Links
Tony’s Gallery: website
OLEK: website
Malarky: website



































