Well folks, November has been quite a month! I’ve battled a lingering cold, fought with the pavement (the pavement won, temporarily causing me to have to limp everywhere, but I’m ok now), worked full time (plus the occasional late night), worked as a reporter for three days on top of my usual job, drunk a LOT of coffee, taken a gajillion photos (none of which I’ve uploaded yet), written 2 blog posts on AliMuskett.com and 10 blog posts over on Haikugirl’s Japan, attended a few workshops and exhibitions, and somehow… somehow… managed to write a 50,000 word novel for NaNoWriMo!
Yes, The Shizuka Tea Shop which I promised to write way back at the end of October is finally in first draft, sitting comfortably at 50,106 words.
The whole point of NaNoWriMo is to get the words out and to lay the inner editor to one side for a month. That part has been hard – my novel is riddled with spelling mistakes, typos, things I could have worded better, facts that need checking, but all of that can come later – early next year when I start the editing process. I do absolutely intend to come back to this manuscript and edit the hell out of it to turn it into something publishable. The idea is there, and I think it’s a good one, so just watch this space.
I can’t say too much about The Shizuka Tea Shop at this point except to say that I’m calling it ‘travel chick-lit’, which is a title I would apply to books such as Eat, Pray, Love by Elizabeth Gilbert. It’s set in Japan and England, and is pure fiction, although I have drawn on some of my own experiences to set scenes. The Shizuka Tea Shop is a book I hope people will simply enjoy for what it is – a sweet, funny, story about people everyone can relate to. Oh, and it would probably make a pretty good film, too. Just saying… 😉
Thank you everyone who has supported me during this month of madness. It’s been an interesting experiment to see if I really do have time in my overly busy life to write – and I’m happy to have found that I do (although it has been hard to force myself to actually do it, and I’ve been writing right up until the bitter end). It’s worth noting that I wrote more than half of this book using Pages on my iPad. When I bought my iPad I originally told myself it was so I could get some writing done on the Tube, but really that was just a lie to myself because I wanted a new toy. Well, my iPad is finally being put to good use! I’m no longer just playing Scrabble and Kumo Lumo on it, or watching catch-up TV in bed, I’m actually using my commuting time to write, and that’s a habit I hope to continue.
November is nearly over, and December will be upon us tomorrow. Before we know it, it will be Christmas and then 2013. It’s a little early for a New Year’s resolution, but I hereby promise to keep the spirit of NaNoWriMo with me throughout 2013, although I don’t intend to write 50,000 every month.
Until 18th November there is a fabulous pop-up exhibition called Urban Masters at Factory 7 in Shoreditch (13 Hearn Street, EC2A 3LS). The exhibition, organised by The Opera Gallery, showcases street and urban art by some of the greats, including Banksy, Shepard Fairey, Blek le Rat, C215, Sweet Toof, ROA and Ron English, to name just a few of the 33 artists involved. Urban Masters attempts to capture the feelings and experience of the artists who were invited to give their personal interpretation on the marks left by art history-makers. Proceeds from the show’s catalogue go to Anti-Slavery International, the world’s oldest human rights organisation.
Here are some of my favourite pieces in the exhibition:
Here’s a video of the exhibition’s installation and opening night:
Despite my general dislike of exhibitions of street art in galleries, I’m always curious to see if it can work and was quite excited to hear that Paul DON Smith had an upcoming exhibition. I’ve been a fan of DON’s work for a long time now, and walked to the gallery yesterday with my fingers crossed, hoping he wasn’t going to let me down.
I needn’t have worried. Although DON’s work on the streets often works because of the location or surface, his art work is actually perfect for the gallery too. DON paints the most outstanding portraits, and his work really is the kind of art I would want to buy and hang on my walls.
DON’s famous ‘Banker’ image was also in abundance in the gallery…
As well as DON’s usual portraits, there was also a series of star sign themed pieces, with small lights inserted in them:
I prefer his portraits but I can see how these pieces could be popular.
The centrepiece of the exhibition was this curious cupboard which I just couldn’t stop peering in…
I’m not quite sure what the meaning of this piece was, and felt a little self-conscious in the tiny gallery staring into it on my own, but I loved looking at it. I wonder if this is what it looks like inside DON’s head…
My only criticism of the exhibition would be that there wasn’t enough space. I’d love to see DON’s work spread out a little more in a slightly bigger space, like perhaps the Pure Evil gallery or Stolen Space. But other than that – wonderful! DON is one of the hardest working street artists I know of, and he never disappoints.